That’s why in the front view there are more lashes visible in the corners of the eye. Generally the eye lashes are more prominent on the upper lid and they tend to point back toward the center of the eyeball. (If you don’t know the roles in the comic industry and are interested in learning how the whole process works, head over to the Beginner’s Guide to Drawing Comics). In the world of comic art, eye lashes and lighting are mostly combined when rendering eyes in the penciling stage. Finally, I will lay down the finished pencil lines and shadows with a deliberate and simplified approach keeping the forms and lighting in mind the whole time. Then I sketched the lids and lashes, not worrying about style or execution of line. In the underdrawing, I sketch out the skull eye socket with a sphere inside. Notice how there is a light blue line layer underneath the final lines. The best way to accomplish these tasks is to do multiple drawings. Imply subtle details with just drawing the shadow side of the lids and folds. Keep your lines angular with intentional line weights. Here’s few things to keep in mind as you journey forward with you comic book eye drawings: That will only come with a huge amount of practice. When drawing comic books you will have to work very quickly so you need to start to find small shortcuts and your own style to help you along. In many versions of the planes of the eyes the upper lid can be sectioned into three divisions that seamlessly join with the planes of the skull. The peak of the upper lid is usually toward the inner part of the eye while the lower lid has a peak toward the outside. I suggest you start with at least visualizing this shape when drawing the eyes. I know it sounds like it won’t work but believe the many cartoonists out there who have used this technique and give it a try. Draw their eyes slightly cross-eyed and they will look correct even though it’s not. Pro Tip: If you are having trouble getting a character’s pupils to align correctly (when you are drawing a character looking at the camera). It may be a no brained but don’t ever draw your your pupils looking two different directions. This is also exactly as our eyes move in unison. If you twist the skewer you would see the slices rotate up and down. Now pretend that we add another orange slice next to the first and we skewer them together at the same angle and direction. I’ve simplified the anatomy to best show the forms present. Take a look at the diagram that I’ve drawn to show you the different parts of the eye. To understand how to draw them, we must first analyze their structure. The fact is, your viewers can spot errors within the drawings of faces and eyes, before anything else.īut don’t fear, eyes are actually very simple to draw and they follow the same rules as all the rest of anatomy and with some focused practice they will become a huge asset in your artistic fundamentals. This, above all else, is the reason that eyes are tricky to draw. Since we see faces everyday, the eyes have become so ingrained in everyday life that we are able to detect even the subtlest changes in their movement and emotion. By having whites in our eyes, it makes it very easy to see a person’s expression, direction of vision, and if they are opened or closed. Humans have eyes that have evolved specifically to be the focal point of our faces. One of the most important features on the human figure is the face and more specific, the eyes.
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